A halftone duotone poster prompt for ChatGPT

Create a finished graphic design: a poster in A3 portrait (1:1.41) format. It is for: a live music night with three bands at a small venue.
It must look designed and made by hand by a skilled human designer and illustrator, in the style described below. Treat the style as a strict art direction.

STYLE: Halftone Duotone
A photograph converted to a coarse halftone duotone, printed in two fluorescent inks on uncoated paper, with giant condensed type that overprints and multiplies against the picture. It looks like a riso or screen print, not a filter.
Signature moves to keep:
- photo as visible halftone dots
- type overprinting the face
- two clashing inks only
- text block top right in the second ink
- corner credits

SUBJECT
Show a live music night with three bands at a small venue in this style. Make the subject the hero and fit everything to it: props, setting and details should belong to this subject, not to the example the style came from.

COMPOSITION
The photographic subject is cropped tight and large, centred or slightly off, with two or three lines of massive type running across the face and body, left aligned. A small paragraph of text sits in the top right corner and tiny credits in the corners.

TYPOGRAPHY
Heavy condensed or bold grotesk capitals in the second ink, giant, multiplying over the image, with small justified text paragraph in the same ink.
Render exactly these words, spelled exactly as written, and no other text anywhere:
- headline: "Three Bands, One Night"
- second line: "Doors 20:00, entry 100 kr"
- small details: "Fri 14 Nov, Kolingsborg, Stockholm"
Give them a clear hierarchy: the headline large and dominant, the rest much smaller.

COLOUR
Palette: #F4EFE2, #3B49E8, #FF4B3F, #FF2D87, #D8F41C. Choose two high chroma inks that clash on purpose, such as blue and red or pink and lime. For a brand, take the main and accent colours as the two inks and set paper to a warm neutral.

TEXTURE AND FINISH
Visible halftone dot screen, ink overlap colour, grain, slight blur from the press.

AVOID
- full colour photography
- smooth gradients
- drop shadows
- glossy finish
- lens flare
- gibberish text
- anything that looks AI generated: plastic sheen, airbrushed skin, overly smooth gradients, glow and lens flare, HDR, stock photo smiles
- gibberish letters, made up words or any text other than the exact words given
- watermarks, signatures, UI elements, borders or frames around the design
- filler decoration: sparkles, floating dots and stars, confetti, random geometric shapes, gradient orbs, ornamental dividers
- uniform line weight, plastic or airbrushed shading, soft storybook gloss, perfect symmetry, melted or merging details, impossible objects
- showing the design as a mockup (a poster on a wall, a phone, a hand holding it): the artwork itself must fill the whole canvas edge to edge, flat and straight on

Do not search the web or look anything up: work only from this brief, so nothing from elsewhere leaks into the design.
Make the image now, in A3 portrait (1:1.41) format, without asking questions first.
(Brief written with OpenTempl, the free, open source design app at opentempl.org. The designer brings the picture back there to set and edit the words.)

Create a finished graphic design: a instagram post in 4:5 portrait format. It is for: an announcement post for a new product launch from a small shop.
It must look designed and made by hand by a skilled human designer and illustrator, in the style described below. Treat the style as a strict art direction.

STYLE: Halftone Duotone
A photograph converted to a coarse halftone duotone, printed in two fluorescent inks on uncoated paper, with giant condensed type that overprints and multiplies against the picture. It looks like a riso or screen print, not a filter.
Signature moves to keep:
- photo as visible halftone dots
- type overprinting the face
- two clashing inks only
- text block top right in the second ink
- corner credits

SUBJECT
Show an announcement post for a new product launch from a small shop in this style. Make the subject the hero and fit everything to it: props, setting and details should belong to this subject, not to the example the style came from.

COMPOSITION
The photographic subject is cropped tight and large, centred or slightly off, with two or three lines of massive type running across the face and body, left aligned. A small paragraph of text sits in the top right corner and tiny credits in the corners.

TYPOGRAPHY
Heavy condensed or bold grotesk capitals in the second ink, giant, multiplying over the image, with small justified text paragraph in the same ink.
Render exactly these words, spelled exactly as written, and no other text anywhere:
- headline: "Now In Store"
- second line: "The autumn collection is here"
- small details: "Open daily 10 to 18"
Give them a clear hierarchy: the headline large and dominant, the rest much smaller.

COLOUR
Palette: #F4EFE2, #3B49E8, #FF4B3F, #FF2D87, #D8F41C. Choose two high chroma inks that clash on purpose, such as blue and red or pink and lime. For a brand, take the main and accent colours as the two inks and set paper to a warm neutral.

TEXTURE AND FINISH
Visible halftone dot screen, ink overlap colour, grain, slight blur from the press.

AVOID
- full colour photography
- smooth gradients
- drop shadows
- glossy finish
- lens flare
- gibberish text
- anything that looks AI generated: plastic sheen, airbrushed skin, overly smooth gradients, glow and lens flare, HDR, stock photo smiles
- gibberish letters, made up words or any text other than the exact words given
- watermarks, signatures, UI elements, borders or frames around the design
- filler decoration: sparkles, floating dots and stars, confetti, random geometric shapes, gradient orbs, ornamental dividers
- uniform line weight, plastic or airbrushed shading, soft storybook gloss, perfect symmetry, melted or merging details, impossible objects
- showing the design as a mockup (a poster on a wall, a phone, a hand holding it): the artwork itself must fill the whole canvas edge to edge, flat and straight on

Do not search the web or look anything up: work only from this brief, so nothing from elsewhere leaks into the design.
Make the image now, in 4:5 portrait format, without asking questions first.
(Brief written with OpenTempl, the free, open source design app at opentempl.org. The designer brings the picture back there to set and edit the words.)

Create a finished graphic design: a poster in A3 portrait (1:1.41) format. It is for: a one page menu for a neighbourhood cafe.
It must look designed and made by hand by a skilled human designer and illustrator, in the style described below. Treat the style as a strict art direction.

STYLE: Halftone Duotone
A photograph converted to a coarse halftone duotone, printed in two fluorescent inks on uncoated paper, with giant condensed type that overprints and multiplies against the picture. It looks like a riso or screen print, not a filter.
Signature moves to keep:
- photo as visible halftone dots
- type overprinting the face
- two clashing inks only
- text block top right in the second ink
- corner credits

SUBJECT
Show a one page menu for a neighbourhood cafe in this style. Make the subject the hero and fit everything to it: props, setting and details should belong to this subject, not to the example the style came from.

COMPOSITION
The photographic subject is cropped tight and large, centred or slightly off, with two or three lines of massive type running across the face and body, left aligned. A small paragraph of text sits in the top right corner and tiny credits in the corners.

TYPOGRAPHY
Heavy condensed or bold grotesk capitals in the second ink, giant, multiplying over the image, with small justified text paragraph in the same ink.
Render exactly these words, spelled exactly as written, and no other text anywhere:
- headline: "Cafe Menu"
- second line: "Coffee, pastries and lunch"
- small details: "Filter coffee 35 kr, Cinnamon bun 40 kr, Soup of the day 120 kr"
Give them a clear hierarchy: the headline large and dominant, the rest much smaller.

COLOUR
Palette: #F4EFE2, #3B49E8, #FF4B3F, #FF2D87, #D8F41C. Choose two high chroma inks that clash on purpose, such as blue and red or pink and lime. For a brand, take the main and accent colours as the two inks and set paper to a warm neutral.

TEXTURE AND FINISH
Visible halftone dot screen, ink overlap colour, grain, slight blur from the press.

AVOID
- full colour photography
- smooth gradients
- drop shadows
- glossy finish
- lens flare
- gibberish text
- anything that looks AI generated: plastic sheen, airbrushed skin, overly smooth gradients, glow and lens flare, HDR, stock photo smiles
- gibberish letters, made up words or any text other than the exact words given
- watermarks, signatures, UI elements, borders or frames around the design
- filler decoration: sparkles, floating dots and stars, confetti, random geometric shapes, gradient orbs, ornamental dividers
- uniform line weight, plastic or airbrushed shading, soft storybook gloss, perfect symmetry, melted or merging details, impossible objects
- showing the design as a mockup (a poster on a wall, a phone, a hand holding it): the artwork itself must fill the whole canvas edge to edge, flat and straight on

Do not search the web or look anything up: work only from this brief, so nothing from elsewhere leaks into the design.
Make the image now, in A3 portrait (1:1.41) format, without asking questions first.
(Brief written with OpenTempl, the free, open source design app at opentempl.org. The designer brings the picture back there to set and edit the words.)